Visual for our personal favorite joint from the recent Suede Cigarettes project.
Adlib & Rob The Viking – ‘Destro’ feat. Ill Bill
New visual for this Ill Bill featured joint from the Teenagers From Marz album, released a few years ago.
Exclusive Premiere: Rast – ‘Base’
We’ve been championing the music of Rast for a while, so we’re excited to premiere a cut from his upcoming new album, I Know Why The Caged Bird Sings, with beats by Czar Keys (aka 7L & Jeremy Page). Listen below, and then go cop one of the limited-edition vinyl copies, available for pre-order now via Dope Folks Records.
Exclusive Interview: Fullee Love (Soup of Jurassic 5)

Best known as a member of legendary hip-hop group Jurassic 5, Soup (who also goes by the name Zaakir) has returned with a new album recorded under the name Fullee Love. We recently spoke to him about Free, White & 21, positivity in music, and the obligatory question around the current status of J5.
[This interview has been lightly edited for clarity].
Let’s talk about the new album; Free, White & 21. The title alludes to a phrase used in the 1940s, which you are subverting to relate to now. Can you tell me more about the concept?
The concept (for me) was just being able to go in a different direction without second-guessing the move. The phrase was just that “I’m free, I’m white and I can do anything.” I wanted to have that type of freedom when it came to this. So instead of following what you think I should be doing, I’m doing me and I’ma make u follow and get on board.
The album is also incredibly upbeat and positive, both in the lyrics and music. I found this inspiring, especially considering what you’ve been through in the year’s since J5 stopped making music (near-homelessness, returning to a regular job).
I’m working a regular job right now, and I’m dead ass! I’m waiting on my Geoffrey Owens moment as we speak. I wasn’t intentionally going for an upbeat/positive project, it just wrote itself, to be honest. But if it makes folks feel that way, that’s dope! Just cause my shit ain’t sharp (right now), doesn’t mean I’ma burn the house down (after hardship comes ease) shit just taking long [laughs].
Most Hip-Hop heads know you as Zaakir or Soup, but you’ve released the new album under the name Fullee Love. Does using a different name allow you to explore a different side of your creativity, and a new persona?
Most definitely! Many have done it before. It takes the focus off of expectations, even tho I still hear “It ain’t what I expected,” and I’m like “Good cause your ass shouldn’t be expecting.” People are something else, they get pissed when you wanna grow and go a different route, but want you to understand when they’ve moved on from you to something new.
I read in a previous interview where you said you prefer being in a group, but how being solo also allows you more freedom with no one to answer to. How do you feel now that you’ve cut a full album completely away from J5?
I love it! I wasn’t willing to take the shots back then cause my confidence sucked, so a group made it easier to hide when all hell broke loose [laughs]. Now…I want it all, the praise, the bullshit, the ladies, the wack comments (you name it). And it’s beautiful to not have to compromise on certain things.
I know its a well-worn subject, but I’d be remiss if I didn’t ask about J5. There’s been tours in recent years, and even an unreleased track that surfaced (2016’s Customer Service). What’s the status of the crew today, and will we ever get new music?
We’ve spoke, but we’ve spoke before, so for now…nah it ain’t looking like it [laughs].

Free, White & 21 sees you working with a sole producer; Nicholas Eaholtz, who is known for his work with The Internet. Your partnership and sound also reminds me of The Foreign Exchange (Phonte and Nicolay). Who inspires you among modern artists working today?
No one and I’m not hating, but I’m older than most, and a lot of the music isn’t for me, so it’s easy for me to continue with what I’ve already been rocking to…the classics. Foreign Exchange is dope, I always dug Phonte.
There’s also an obvious nod to Prince, ‘70s and ‘80s Funk and Soul, including a track titled Nile Rodgers. It must be quite a challenge to make a record that sounds timeless, both old and modern?
Yea, cause you really don’t know what will be considered timeless or not, you just make what feels right and let the chips fall where they may. That’s the stuff that shaped me during my youth (Prince, ‘70s/’80s Funk) so its only natural that’s what I’d wanna bring back.
What’s next for you as a solo artist? More music as Fullee Love, or Soup…?
I told you I’m waiting on that Geoffrey Owens moment [laughs]. More music for sure…I’ma make it first, then see which persona will headline it.
Finally, going back to the positivity on Free, White & 21, it sounds like you’re in a good place right now. Is that fair to say?
Musically I am for sure. I’m no longer worried about the reactions I’m subject to receive. I wish I woulda had this thought process a few years ago, I probably wouldn’t be moonlighting as somebody’s employee [laughs]. But hey…could be worse. Thank you for this moment, I appreciate your time and the questions…Free, White & 21 is out now…peep it!
***
Free, White & 21 is out now. Listen below and purchase here. Follow Fullee Love on Twitter and Instagram. Interview by Grown Up Rap Editor Ben Pedroche.
Playlist: The Best MC’s Ever: The Other Guys – Part 2

Zilla Rocca continues his playlist of the greatest emcees you won’t find on your average list, suggested by his Twitter followers. Check Part 2 and Zilla Rocca’s intro notes below. If you missed Part 1, catch up here.
The Best MC’s Ever: The Other Guys – Part 2. Words and playlist curation by Zilla Rocca
What I love about this next group of rappers is how you have G. Dep in there, someone who lights up my mentions anytime his name is typed out on Twitter. G. Dep is the perfect example of being one of the greatest rappers of all time – sometimes you just need a small contribution to make a decades-long impact. That flow! From Special Delivery to Let’s Get It to Child of the Ghetto – do we need more than three songs to prove his talent was titanic?
Pace Won stole the show on The Fugees’ The Score with Cowboys, then electrified us with I Declare War and The Rah Rah. I don’t need five classic LP’s after that to tell you he’s incredible.
Cool Calm Pete hasn’t released a project in 12 years but Lost still sticks with people. How many other rappers are you still thinking about from 2006 who aren’t even active?
On a personal note, my friends billy woods and Elucid are now making it up the ranks and it’s incredible to see, but it’s also built on a four year run of those dudes pumping out incredible music every few months, solo or as Armand Hammer. They are the indie prog rap version of Redman and Method Man.
And don’t forget that Method Man has never gotten over his lack of props, which is astounding considering he formatted his rhymes on paper with the technical science of GZA and Rakim but delivered them with the rolling charisma and unpredictable catchiness of ODB. Just write down his rhyme scheme on Bring the Pain and see how he breaks up his punchlines. He is the rare rapper to completely map out his verses but deliver it in fashion that sounds freestyled. His rhymes are mechanical but his delivery is liquid.
2. Method Man – The Riddler
3. G-Dep – Child of the Ghetto
4. Devin the Dude – Doobie Ashtray
5. Peedi Crack – Good Life
6. Black Thought – 75 Bars
7. Killer Mike – God in the Building
8. Cool Calm Pete – Lost
9. Pusha T – Numbers on the Board
10. Pace Won – Sunroof Top
11. Mos Def – Quiet Dog
12. Ka – Vessel
13. Mr. Lif – Live from the Plantation
14. Beanie Sigel – The Truth
15. billy woods – Warmachines
16. Elucid – Son Still Shine
17. Lauryn Hill – Final Hour
V-Don – ‘Family Tree’ (video)
V-Don already dropped an animated video for this joint with Eto, one of the many standouts from last week’s The Bone Collector EP, but there’s this version now too.
Godfather Don & Jazz Spastiks – ‘Gutter’/’Ballistics’ (snippets)
Snippets of an upcoming vinyl release with new music from one of the nicest underground emcees of all time, the elusive Godfather Don. Produced by the dope Jazz Spastiks.
Mickey Factz & Nottz – ‘Masterpiece’ (remix) feat. Pharoahe Monch
Visual for this Pharoahe Monch featured remix from The Achievement: Deluxe Edition album.
Dillon & Diamond D – ‘Feast’ (Buscrates remix)

Buscrates remixes a track from last year’s dope Black Tie Affair project from Dillon and the D.I.T.C. legend.
WateRR & DirtyDiggs – ‘ Wizard Of The Crystal’
Solid new EP produced by DirtyDiggs, with vocals from a selection of dope emcees.