Our fears for the new Cannibal Ox album

can-ox-blade-roninCast your mind back to 2001. Years before Run the Jewels, El-P was already a hero of New York’s underground hip-hop scene. Four years had passed since the release of the seminal album Funcrusher Plus from his group Company Flow. But in the short years since then, the group had disbanded, and that late-90s golden era of independent hip-hop labels had started to die fast. Bobbito’s Fondle’em Records was on its very last legs, and even Rawkus, the label that had released Funcrusher Plus and so many other incredible records in such as a short space of time, was in decline.

El-P was doing everything he could to keep the spirit alive though, and by now his Definitive Jux record label had built up solid momentum as the new flag-bearer for all things quality indy rap. In the next few years, Def Jux would release a run of incredibly creative hip-hop records that would gain critical praise and cross-over appeal, and breath new life into a sub-genre that tended to get pigeon-holed rather pointlessly as ‘alternative hip-hop’.

The line-up of talent on the label was a mixed-bag of new voices and established ones, often bringing out the absolute best in artists like Murs, Mr Lif, Aesop Rock, RJD2, and El-P himself. Def Jux would eventually shut up shop less than a decade later, but the legacy it left is still felt today, especially in the spirit of modern independent hip-hop labels like Rhymesayers and Mello Music Group.

Back to 2001, where Def Jux put out their finest release of all; Cold Vein, the debut album from Cannibal Ox. A genuine game-changer, it was a record that embodied everything the label stood for, and was about as far as you could get from a commercial rap record. Fans loved it, critics loved it, and it was instantly hailed as a classic.

And then, nothing. We’ve since had a handful of impressive solo albums from both group members, Vast Aire and Vordul Mega, but no full length album post Cold Vein (we aren’t counting the live album from 2005).

We all got pretty damn excited then when it was recently announced that the group would soon be dropping Blade of the Ronin, a brand new album at last. Our hopes were crushed again however, when it became obvious there would be no input from El-P.

It’s unfair to say that El-P’s production was the best thing about Cold Vein, but it was certainly the driving force, and the most overtly refreshing and unique element of the album. There is no doubt that Vast Aire and Vordul Mega are incredibly gifted artists and writers, and the hip-hop scene has been itching to get more records from both of them. But take El-P’s soundscapes out of the equation, and it will be hard for the new album to make anywhere near the same impact as Cold Vein.

Blade of the Ronin does have some good things going for it. For starters, and as already stated, both members of the group are superior rappers. The guest list also happens to include spots from Elzhi, Artifacts and a certain MF Doom. But on the leaked credit list, there’s still not a single mention of El-P anywhere. Production duties seem to be resting on the unknown Bill Cosmia instead. And with all due respect to Bill, when we read that, our hearts sank even further.

To try and make another album like Cold Vein would of course be a mistake anyway, and even if they did get El-P, his sound has changed dramatically since 2001. But without him at all, we fear this may be one long-awaited return that might just disappear without much of a trace. We hope to be proved wrong, and that come March, you’ll be seeing us eat our words.

UPDATE: The group recently previewed the MF Doom featuring track Iron Rose. It’s pretty good, so those words we hope to be eating may be consumed sooner than we thought.

Blade of the Ronin is set for release on March 3. Pre-order now.

Let’s hope 2015 is full of MF Doom goodness

mf doomDJ Premier has been busy conducting interviews over the last few days, documenting the sad demise of his beloved D&D Studios. We’ve been reading along with a few tears in our eyes, but there was also some enticing details from Primo about an extended deluxe version of the PRyhme album. That alone would be exciting enough, but when Preem added that one of the tracks will feature MF Doom, us and everybody else started losing our shit.

There’s many artists we’ve dreamed about hooking up with Metal Fingaz over the years, but Premier has always been right around the top. Catch them both at their best, which is pretty much always, and this could be incredible. It would also be the prefect way to kick off a year that, metal fingers crossed, will bring us a lot of Doom.

There’s that long-delayed and almost mythical full length album with Ghostface Killer. GFK himself recently hinted it is coming this year, and for now it has at least been confirmed that Doom will feature with Ghost on his upcoming Sour Soul album with BADBADNOTGOOD.

In a rare interview with Bonafide magazine last year, Madlib also seemed to suggest that he and MF are at the very least throwing around ideas for the next Madvillain project. That news almost trumps everything else listed above.

Who else is on that list of our dream MF Doom collabs, you ask? Well, some are from way back, like the thought of him sharing the mic with Sir Menelik (currently somewhat AWOL from the game), Company Flow era El-P, Edan, Ill Bill and Kool Keith (before you purists go nuts at us, we know Kool Keith was on Venomous Villain, and there are also tracks with El-P dotted around online, but we want a more significant set of hookups).

Current artists on the wishlist include Action Bronson, Your Old Droog, and the modern era El-P (riding shotgun with his Run The Jewels partner Killer Mike of course). A few months back, 9th Wonder also mentioned how he’d love to work with Doom, and the prospect of that is equally incredible.

If just some of these projects see the light of day, this could be another vintage year for good hip-hop music.

Review: Run the Jewels live in London

FullSizeRender(1)It’s no secret that we fucking love Run the Jewels and everything it stands for, and last night we caught them live in London for a show that sold out weeks ago.

The crowd was a healthy mix from every walk of life, proving just how many people Run the Jewels’ music is reaching. From classic-era heads who’ve been with El-P since Company Flow and Def Jux, to those just being introduced to the crew now – perhaps thanks to Killer Mike’s incredible commentary on the situation in Ferguson and beyond – the entire venue was charged with anticipation throughout the set from the warm-up deejay.

When El-P and Killer Mike took to the stage, the crowd went absolutely nuts, and the seasoned vets gave us exactly what we came for. That raw aggression we hear on wax translates perfectly to the live stage, with both rappers having enough energy to put artists half their age to shame.

All of the best tracks from their two already-certified-classic albums were included in the set, each one feeling as comforting and familiar as the kind of songs we’ve had as our favorites for years, which is all the more amazing when you step back and remember we’ve only been blessed with music from Run the Jewels since 2013.

Good live hip-hop shows are few and far between, but this was one that no doubt left a lasting impression on everyone who stepped out into the freezing cold London night when the show had ended, still buzzing about what they has just witnessed.

RTJ2 is out now on Mass Appeal. Read our review here, and our thoughts on the incredible upcoming Meow the Jewels project here.

Meet the genius bringing you Meow the Jewels

sly jonesThe name Sly Jones probably doesn’t mean that much to you, but he’s the part genius, part madman who worked hard as hell to make Meow the Jewels a reality. He recently got to hook up with El-P and Killer Mike before their show in his hometown of Phoenix, and broke down how the project came about.

Bored one night on Twitter, he read El-P’s tweet about remaking Run the Jewels 2 with cat sounds, and took it upon himself to take it seriously. It’s shit like this that the internet was invented for, and we can’t wait to hear how it turns out.

Considering how money from the project is going to the families of Eric Garner, Michael Brown and the fight against Police brutality, Run the Jewels take time in the interview to remind us that this whole crazy project also has a serious side, and will hopefully help to raise the profile of the issues at stake.

Watch the clip below, including shots of Sly Jones joining the group on stage – surely the ultimate experience for any music fan.

RTJ2 is out now on Mass Appeal. Read our review here.

We salute Tyler, the Creator for crying like a baby

TylerWe’ve all seen that clip of Tyler, The Creator crying at the sight of N.E.R.D.  on stage (haven’t seen it? Wake the fuck up), and how star-struck he was in a recent interview with Pharrell.

Funny shit, but at least the guy clearly has some genuine passion for the music and its biggest stars.

In a music fueled by egos and trash talk, its all too rare for a young hip-hop artist to show mutual respect for their peers. Its even common now to hear modern rappers talk about how they don’t even listen to rap at all, not even hiding how they are in the game solely to get money.

Compare this to the veterans and older artists and its a completely different story. They have no trouble shining a light on others, and acknowledging the history of the music. Take Run the Jewels, currently the hottest property in the game. El-P and Mike not only have a detailed knowledge of hip-hop, but also have no issue singing the praises of the legends and other artists. Same goes for Common, Talib Kweli, Pharoahe Monch and others. As for the legends themselves, like DJ Premier, they are forever paying respect to others and the masters of genre.

Its perhaps unfair to say all young artists are ignorant to other rappers (Freddie Gibbs frequently points to Drake as being the best there currently is, as contentious as that may be), but a little acknowledgment that they at least like hip-hop and appreciate others would be nice.

Tyler himself has stated he doesnt intent to make hip-hop for much longer, but this is still a man with a deep-rooted respect for the music. And for that, despite all the other crazy and stupid shit he does, we salute him. It was his party, and he can cry if he wants to.

Why Aloe Blacc getting ripped off is no big surprise

Screen Shot 2014-11-10 at 19.17.14Former Stones Throw artist and chart-topper Aloe Blacc recently announced that he has only earned $4,000 from Pandora streams of his monster hit Wake Me Up (with Avicii), despite clocking up an incredible 168 million plays in the US.

A shocking revelation, but is anyone really that surprised? The game changed beyond all recognition years ago, and the plates have shifted again several times since, each time leaving the artist with little to show for their efforts.

Gone are the days when a musician could sell millions of CDs and make big bucks. Save for the occasional exception, like Taylor Swift, who recently shipped well over a million copies of her latest album 1989, sales ain’t what they used to be.

What’s interesting in relation to hip-hop is how all that big talk about sales figures that dominated headlines a few years ago has all but disappeared.

As a music built upon bragging rites and proving you are the best, there was a time when commercial artists like 50 Cent were obsessed with sales numbers, making them as much of a badge of honor as the amount of times he’d been shot.

If a big release didn’t ship more than a good few hundred thousand right away you were done, and your rivals would tell you so. Nowadays though, no one is moving units, not even Em, Pimp Juice or Rocafella, as Jay-Z once famously said (sort of).

Everyone knows the big money is now to be made from touring, where eye-watering prices can be charged for a show that, lets be honest, usually sucks.

But it would be hard for a rapper to deny that still being able to make big money from sales would be nice, especially when facing the necessary tough grind that comes with traveling around the world on tour.

New ways of getting music to us are appearing all the time, and as always hip-hop is at the cutting edge. From the biggest albums to the humblest of indy material, most work is now available for stream before release. Run the Jewels even gave away RTJ2 for free, following in the footsteps of U2 and others.

It remains to be seen if the industry will ever find a way to get those sales revenues back up, but whats certain is that a rapper will need to be pretty damn successful to get anywhere even close to that Taylor Swift money.

Nas previews new J Dilla track at Run the Jewels press event

mass appealJust when we thought the hype around Run the Jewels 2 couldn’t get any hyper, a special press conference in New York City last night took the situation into overdrive. El-P and Killer Mike were joined on stage by none other than Nas, who seems to be taking his role as Mass Appeal boss seriously.

The legend gave some supportive words to the label’s hottest act, before then giving us all one hell of a treat: a preview of a track from his next album. New music from Nas is always exciting, but when it turns out the track uses a J Dilla beat, that excitement reaches a whole new plain.

Rabid Dilla Dawg fans will instantly recognize the beat as Gobstopper from Donuts. To now have Nas drop vocals over it is an incredible look.

Watch the full video below, and check out our review of the incredible RTJ2.

Run the Jewels 2 is out now on Mass Appeal.

Album Review: Why RTJ2 is the Godfather Part II of hip-hop

run-the-jewels-2__That old line about how movie sequels rarely live up to the original has always applied to music too. The so-called sophomore jinx has ruined the career of many an artist, never quite hitting the same heights as a classic debut.

With Run the Jewels 2, El-P and Killer Mike have gone and pulled a Godfather Part II. If last year’s debut album was a modern classic, then Run the Jewels 2 is even better. It’s darker, dirtier and way more fucked-up than the original, and all the better for it.

What we have here is two artists high as a kite on confidence from just how well their music is being received. For lesser acts, this can lead to complacency. For others, it brings out the best in them. Jamie and Mike know how good they are, and they know we know how good they are.

That’s why RTJ2 is almost the perfect album, with virtually every track the kind you want to listen to again and again. Standouts include Jeopardy, Oh My Darling Don’t Cry, and Close Your Eyes with Zack de la Rocha, who reminds us all that while he may not make rap music, he can rap with the best of them. El-P’s production work is impeccable; weird enough to be his own signature sound, but accessible and head-nodding enough to keep it grounded. As for the lyrics, both rappers are angry as hell, and it works like a charm.

The true genius of Run the Jewels, still one of the most unlikely collaborations in hip-hop, is that both artists have approached it as blank canvas, despite each one having a huge backlog of music to their name. It doesnt matter if you know everything that has come before (the classic Company Flow and Def Jux material from El-P, the Outkast features from Mike), or if this is the first time you’ve come across them. We are all on the the same page at this point, and by discarding any preconceptions of the music we expect them to release, Run the Jewels are making exactly the type of music they want to.

On those rare occasions where a movie sequel does live up to the original, the one after that is usually garbage. Watch Godfather Part III if you don’t believe us. Run the Jewels is a saga we want to see rolling on forever, and judging by the new album, things are only going to keep getting better.

Don’t forget that RTJ2 being out means we are also one step closer to getting Meow the Jewels, potentially the most incredible album in the history of music ever. Or maybe not. Only time will tell. Until then, enjoy what’s probably the best work that either of these two guys have ever produced. And when you do consider the music they have been involved in before now, that’s some accolade.

RTJ2 is out now on Mass Appeal.

Listen to new music from Ras Kass & Apollo Brown, Domo Genesis, M.O.P. and Run the Jewels

apollo-brown-ras-kass-how-to-kill-god-lead

Here’s our weekly round-up of the best new music from the past week:

Ras Kass and Apollo Brown came back strong with another track from their upcoming Blasphemy album, out this Monday. Peep How to Kill God below.

Odd Future affiliate Domo Genesis blessed us with Strictly4MyN*ggaz, from his Under the Influence 2 mixtape. Check it here:

Billy Danze and Lil Fame returned with a new M.O.P. banger, bringing Busta Ryhmes along for the ride too. The track is taken from their new Street Certified EP, and you can hear it below.

Last but by no means least, Run the Jewels gave everyone a treat by releasing Run the Jewels 2 early and for free. Destined to be a classic, and soon to be remixed as Meow the Jewels, you can get it from here now: http://www.runthejewels.net/

Why Meow the Jewels is more than just a gimmick

Meow the Jewels artwork

Writing about an album made from cat sounds probably isn’t the best way to start a new hip-hop blog, but fuck it. Cats and hip-hop go way back anyway. Just ask Naughty by Nature. And even today, Tyler, the Creator can’t get enough of Photoshopped felines.

Now though, with the Meow the Jewels Kickstarter hitting its funding goal with days to spare, that rap and cat relationship is about to be taken to a whole new level. What started out as a joke is happening for real, and it looks set to go down in rap history as either the dumbest album ever conceived, or one of the most brilliant.

It began a few months back, when Run the Jewels (aka El-P and Killer Mike) announced there would be a special ‘remix’ edition of their new album RTJ2, recorded using the sounds of cats. With a price tag of a modest $40K, it was taken as nothing more than joke, and a nice little pop-shot at the drama surrounding that not-so secret one-off Wu-Tang Clan album.

One fan took it to heart though, and set about making sure the remix album came out for real. The Kickstarter appeal to raise the $40K soon got the backing of Run the Jewels itself, with El-P stating that his slice of the crowd-funded cash would get donated to the families of Eric Garner and Michael Brown.

Before long the campaign had caught the attention of the hip-hop world and beyond, with some of the biggest names in the game pledging to work on the album, including Dan the Automator, Prince Paul, Just Blaze and Alchemist.

Who knows what the project will actually sound like, but the end result is less important than the journey towards it. Musically, hip-hop has never been shy to blur reality with fiction, from the mostly made-up violence of classic gangster raps, to the stories told by the alter egos of artists like Ghostface Killah, MF Doom and Quasimoto. It’s also a genre well-versed in crossing over to the weird side, even something as weird as making beats from cat noises.

But Meow The Jewels could also end up having a deeper meaning beyond the music. A project as crazy as this will always cross-over into mainstream news media, helping introduce Run the Jewels to a wider audience, which in turn is good for independent hip-hop as a whole.

It’s the charitable donation and connection with the situation in Ferguson that is key though. Hip-hop has always had a serious image problem to the outsiders that don’t understand it. Many of those same people have also likely struggled to keep track of the full extent of the aftermath and fallout from the deaths of Garner and Brown. But with rappers having been reporting from the front line, especially artists like Talib Kweli and Run the Jewels’ own Killer Mike, the true scale of the issue has been getting through loud and clear not just to their fans, but further afield thanks to news outlets and social media.

El-P’s Meow the Jewels donations will only help to further raise the profile of hip-hop as a creative movement with enough power to make a difference, which puts the whole project way above the status of cheesy gimmick. If we end up getting some decent music out of it too, that’s merely a bonus.

It’s unclear when Meow the Jewels will drop, but peep the trailer below in the meantime. RTJ2 is released later this month.