Career Crooks, aka Zilla Rocca and Small Pro, have a new album coming next month; Thieving As Long As I’m Breathing. Today we’re premiering the first single, a slick re-working of How to Rob that references pretty much all of our current favorite emcees. Artwork by DJ Jazzpants.
Category: Premiere
Exclusive Premiere: Damu The Fudgemunk & Flex Matthews – ‘Dreams & Vibrations’
We’ve teamed up again with the fine purveyors of hip-hop over at Redefinition Records, this time to premiere the new full-length album from Damu The Fudgemunk and Flex Matthews. Naturally, it’s mad nice.
Premiere: OLD SELF – ‘Nostalgia’
Today we’re premiering the new video from OLD SELF. It’s the latest single from the Word Art Gallery album, which the self-titled “aging millennial rap man” describes as “finding himself at the corner of nostalgia sickness and questionable materialism.” This video sums that up nicely. Beat by Headtrip.
Premiere: Molecules & Showbiz – ‘Good Life’ (video) + Interview
Long-time friends and collaborators Molecules and Showbiz connected last year for the impressive EP, A Bronx Tale. We recently spoke to Molecules about working with the D.I.T.C. legend, the role Dres played in his early career, and what’s next for The Legion. We are also proud to be premiering the latest video from A Bronx Tale, Good Life.
A Bronx Tale has been out for a minute. What has the reaction been like since it dropped last May?
The reaction to the release has been good. The fans and my friends, people that heard the project and seen the videos are saying, “Yo ‘Cules that joint is hot.” Everyone has been liking what we put out so far.
How does your relationship with Showbiz work? I know some of the beats on A Bronx Tale are taken from Show’s Rare Stacks mixes, but what about the new songs? Did he make them specifically for you, or provide a bunch to choose from?
Show and I got a great relationship. We’ve been friends even outside of the music. Our sons grew up together, that’s my dude. So when it came to working on music it was an easy mesh. The beats he did on Rare Stacks, some of them stood out to me to where I was like “yo I need to spit on these.” When we started working on our project he wanted to do all new beats, but some of those beats from Rare Stacks I had already had certain ideas in my head of how they could turn out. So I was like we have to use these. For the new tracks, I would come into the studio and he would play me beats. He played me crazy stuff like Methadone Rap. I was like yeah that’s nuts I gotta get on that. He’d just play beats and I’d be like I got an idea for that one.
You’ve been down with D.I.T.C. for a long time, but I’ve also heard you talk about how influential Dres from Black Sheep was in your early career. Can you give some background?
Dres is like my right-hand man. That’s a whole other interview as far as that question goes. Dres brought me into the game. He brought The Legion into the game. We were signed to Dres’ imprint One Love Records on Mercury/Polygram. He’s my dude to this day. We hang out, run around, work in the studio…if it wasn’t for Dres, there’d be no The Legion or Molecules. The rest is history.
Dres features on Hardcore. It’s essentially a song about commercial rappers making street-level Hip-Hop that doesn’t suit them. What’s your take on the never-ending debate around new rap versus old, and the generation gap?
On Hardcore, I’m saying stay in your lane. You have guys that want to go and make pop records which there’s nothing wrong with because we need that diversity. But then they try to cross back and make a street record and I’m like five minutes ago you wanted to make pop records. Stay in your lane. Stay over there. This Hip-Hop boom bap lane is my lane. This is where I like to be all day, every day.
As far as the other genres of rap that’s going on right now, I don’t knock it. I have kids that listen to all the new guys. I joke with them about the mumble rap cause I don’t know what they saying. But it’s their generation and their sound. It’s what they do. I respect it. Same way our parents probably didn’t get the whole idea of rap. My father’s era of music was jazz, disco, Marvin Gaye and Barry White. Our era was A Tribe Called Quest, Biggie, and Jay-Z. And now this era has Migos and Kodak Black. Music has different layers and it changes. That’s what it is. I don’t have a problem with it. But when I’m in my car I’m listening to boom bap music. That’s it.
One of the standout cuts on A Bronx Tale is Heist. There’s some great storytelling on there, and it makes a nice follow up to Revenge from a few years back. Right at the end though you stop the story short and tell us the rest is coming on Part 2. Will we ever get to hear that?
Heist is my joint. There’s definitely going to be a part two. I’m going to put the pen to the paper on that. Actually, I want to shoot a video for that. You’ll probably be getting a video to Heist pretty soon, too.
What’s next for you? Any new music on the way from The Legion?
Next up is a Molecules & Showbiz full-length album. I’ve been dragging my feet on it doing other things, but Show’s been waiting on me to get it done. We just have to finish a few joints. The Legion’s got a new single, 1980 Something b/w Heard We Quit that’s about to drop. You can pre-order that at Fat Beats right now.
We also have two videos to follow-up the single so you’ll get the visuals as well. Then after that will be the release of Three The Bronx Way LP, which should drop late summer. And also Cee-Low from The Legion has a solo album on deck. This summer you’ll be hearing Molecules, Showbiz, The Legion and Cee-Low The Dice Man. Definitely music from my camp.
I also want to thank Grown Up Rap and all the supporters. Everyone that’s following, tuning in and listening. If it wasn’t for ya’ll there’d be no Molecules. I definitely appreciate the support. Good lookin. Stay tuned for more.
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A Bronx Tale is out now. Listen below, then go here to buy it. Interview by Grown Up Rap Editor Ben Pedroche.
Premiere: Zilla Rocca & Curly Castro – ‘Grift Company’
Today we premiere the new EP from long-time collaborators Zilla Rocca and Curly Castro. It’s as nice as you’d expect from these two talented artists, and there’s also a guest spot from Elucid thrown in for good measure. It’s being billed as a taster of plenty more to come this year from Zilla, Career Crooks, and the rest of the Wrecking Crew.
Premiere: Damu The Fudgemunk & Raw Poetic – ‘Calling’
We’re today premiering the latest video from December’s The Reflecting Sea: Welcome to a New Philosophy album, out now on Redefinition Records. Watch the 10-minute mix of rich visuals and animation below, and read our recent interview with Damu and Raw Poetic here.
Premiere: MC Whiteowl – ‘Chinese Dreidels’
Grown Up Rap regular MC Whiteowl graces us with the latest single from his new album, Born Yesterday. Beat by FATCATHAYZE156, cuts by DJ Fred Ones. Dope. Listen below, then go cop the album on green vinyl here. Also check our interview from last year.
Premiere: HYPERBOLIC – ‘YUK’
It’s premiere hour again, this time with a track from UK emcee HYPERBOLIC, aka Gen Uchiha. The Wander produced joint is taken from the upcoming Audio Arcade album, coming later this year.
Premiere: Teck-Zilla – ‘Jetsoul Musique’
Today we’re proud to premiere a new instrumental EP from renowned beat maker Teck-Zilla, inspired by his recent travels around the globe.
Premiere: Realio Sparkzwell – 'The Main Ingredient' + Interview
Today we premiere the new EP from Realio Sparkzwell. Listen below, then keep scrolling for an interview with the man himself.
The new EP is a tribute to, and uses samples from, the group The Main Ingredient. What is it about their music that made you want to dedicate a whole project to them?
I love soul music and love digging in the crates and The Main Ingredient’s music always has a lot of feeling and strings that I feel in tune with. Soul music touches me, soothes me, and also inspires me. I had the sample for Purple Grimace for a while and always wanted to use it. I also had the Questions sample. Originally I was working on looking for samples for my Bloody Luciano album which has a mob theme. I came across more ill samples I had from The Main Ingredient and I was thinking I can’t and shouldn’t use more than one Main Ingredient sample for my album, but maybe I can bang out an EP dedicated to them, using their music as source material.
I was instantly sparked on the idea and executive-produced and wrote the project in just a few days. I’m also proud of this body of work because I recorded it in one session, within a few hours, and I feel it came out flawless…with all due respect. I didn’t want any features on it either. Feel me for me, ya dig.
The Main Ingredient is very much in the same vein as the minimalist, modern gangster rap style mastered by Roc Marciano and Ka, and everyone they’ve inspired since: Meyhem Lauren, Westside Gunn, Conway, and to a lesser extent, Action Bronson. Who inspires you?
I think all those emcees are official and I would say I’m inspired by them. I respect what they do for sure and would like to work with them as well. In these modern times I feel they are definitely some of the ones holding the torch for the culture. I would guess to say that I’m probably inspired by some of the same artists that these artists were inspired by.
I’m heavily inspired by legends like Wu-Tang, Eric B & Rakim, Nas, Kool G Rap, Big L, Boot Camp Clik, Gang Starr, EPMD, Redman, D.I.T.C., etc. I used to go by iRealz and this is not the first time that I’ve released music with a more stripped down aesthetic. I think if we go back to the ’90s we can see the RZA, Q-Tip, Alchemist, and others helping to father that style, as far as minimalist beats are concerned.
You’re now recording as Realio Sparkzwell, but you’ve also in the passed gone by the names REALZ and iRealz. Is there significance in the name changes? Do they allow you to explore different parts of your personality, or create different characters on wax?
Yes sir, that is definitely a part of it. I am growing and developing as a person and as an artist. I have been through a lot in life and I want to express my colorful experiences and drop jewels. I’m also better lyrically. It’s something that I’ve wanted to do for years, it’s always been an a/k/a. IRealz derives from Ireality. On the eastside of Syracuse, NY, in the projects we shorten everything down. My righteous attribute Ireality became iRealz as a nickname. Everyone called me that for years so it just became my default emcee name.
My homie Bourne Grimey used to call me Realio Sparkz all the time though. He’s doing ten in the Feds right now. He was one of my business and rhyme partners. We created a movement in Syracuse, NY, called LAMA. Our close friend and group member Allen Ross was murdered, our homie Pesc was also shot in a robbery (he survived and is alive), and Goon and Alley Grown have been constantly in and out of prison forever. So I been doing this dolo and feel a lot of pressure. For the past three years I’ve made a lot of changes to my life and I’m striving to be successful for all my peoples who can’t do it.
This was all our dream. So I took on Realio Sparkzwell officially in 2015 and put out a song called Quartz Crystal Rap with a YouTube video single to introduce the idea to people. Now that I am out of “the life” I can rhyme more vividly about it, telling stories, and drawing from experiences and drop jewels at the same time with messages. I never felt comfortable about rhyming about certain things before ‘cause I didn’t’ want to bring that attention to myself to incriminate myself or my people.
You recently became part of the Gold Chain Military/Poison Ring Regime extended family of artists. What does that represent to you, and where do you see it will take you?
That came from a simple conversation with Killa Kali. He had heard my leak Ravenous off this project. He asked me if I wanted to be down with the movement, GCM/PRR. I told him that I respect them and would be honored. Real simple. It’s just honor among swordsmen. Sharp swordsmen recognize other sharp swordsmen. We honor the blade if it’s sharp, ya dig? Same way I became affiliated with my brothers Cannibal Ox (Vast Aire & Vordul Mega). I’m also a part of the Iron Galaxy Clik (IGC) and Crimson Godz crew, and have been recording and touring with my bros for years. I’m also on their critically acclaimed sophomore album, The Blade of the Ronin. To me, it just increases affiliation from coast to coast, which I feel is important. So yeah, just honor among swordsmen, we are all kings in our own right.
There are two full-length projects on the way, The Top Emblem and Bloody Luciano. Tell us what we can expect.
I’ll put it like this. The Main Ingredient is the fresh, crisp, healthy salad before the main courses that are underway. The Main Ingredient also makes for a good winter release. It fits that holiday vibe perfect. So, The Top Emblem is like the spicy chicken parm with baked ziti and fresh garlic knots. The Top Emblem represents top shelf premium quality. I will be spitting pure heroin for the fiends. There’s also an EP that follows The Top Emblem, Loosies Out the Bundy, which will be the dessert – basically a collection of looses that didn’t quite make their way onto The Top Emblem.
Bloody Luciano will follow up with the same kind of vibe. It’s mob themed, street music with jewels and messages from someone whose been there and seen it all. I’ve also got a lot more in store! Many more albums, I been working hard, but just digest this info for now. Peace.
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The Main Ingredient is out now. Follow Realio Sparkzwell here. Interview by Grown Up Rap Editor Ben Pedroche.