DJ Premier – Page 16 – Grown Up Rap

Album Review: Royce da 5’9″ and DJ Premier’s PRhyme

DJ Premier and Royce da 5’9″ have been steady working together since 2002’s Rock City, an album that featured the certified banger Boom. There have been hits and misses since, but when they announced a few months back that a full length collabo was in the works, it got everyone’s attention. After weeks of teasers and videos, the PRhyme album is now finally here, and its dope.

What hits you straight away is the production, and how Premier has managed to adapt to rappers with a style not typical of the artists he tends to work with. He’s produced for a range of different artists before of course, from west coast groups like Compton’s Most Wanted, to southern acts like Bun B and Ludacris, but the beats for those still had that classic Primo sound. What impresses most here is how easily the music changes to suit an eclectic mix of unique artists that includes Mac Miller (on Dat Sound Good), and Killer Mike and Schoolboy Q (on Underground Kings).

In fact, the entire album is a bit of a change of pace for Premier. There are still classic bangers, like U Looz and Courtesy, but also rich compositions that you wouldn’t necessarily know were Primo beats if you heard them out of context. It’s a refreshing new direction for a producer who, while unquestionably one of the greatest of all time, does tend to get stuck in their own signature sound. This is new-era DJ Premier, holding his own amongst the modern beat makers, with a little help along the way from Adrian Younge.

As for Royce, he’s stepped his game up, with the same sense of purpose and aggression we saw glimpses of on 2011’s solo album Success is Certain, and on his Bad Meets Evil side project with Eminem.

Other standouts include the Common-featuring Wishin, and To Me, To You, where PRhyme team up with the over-hyped but always-impressive Jay Electronica.

There’s a moment on U Looz when Royce points out how stupid it would be to suggest that by joining forces with DJ Premier, he’s trying to be the new Guru. The Gang Starr days are long gone for sure, but PRhyme is shaping up to be a group that over time could well end up achieving similar levels of critical acclaim.

PRhyme is set for release December 9.

Watch Raiders of the Lost Art: Part 2

The second installment of Raiders of the Lost Art is now available. This time the focus is on DJ Premier, with footage of the master at work in the studio. We don’t get to see too much though, as Preem makes it clear he doesnt like to let people know a whole lot about how he works that magic behind the boards.

Adrian Younge also makes an appearance, explaining his involvement with the PRhyme project, and how working with the duo has helped him see his own previous work in a whole new light. See below for the full clip (pun intended).

PRhyme is out next month, and available for pre-order from iTunes in some regions now.

Review: Joey Bada$$ live in London

Lets be really honest for a moment. Most live hip-hop shows are disappointing. Late arrival from the artist, too much crowd hyping and not enough rapping, bad mic quality, short set lengths. We’ve experienced them all, even from some of our favorite acts.

We still had high hopes for the Joey Bada$$ tour, and on the whole it didn’t disappoint when we caught one of the shows in London. The set-up was classic no frills hip-hop: Joey on the mic, with a deejay out back. No more flash or flair required. For a rapper like Bada$$, still just 19 but making the kind of hip-hop that throws back to the classic era, its an environment that suits him well. When the deejay also happens to be Statik Selektah, its even better.

It turns out Joey knows how to rock a crowd too. Full of energy but without the unnecessary and over-the-top swagger of other acts, he lets his music do the talking, giving us proper versions of his biggest tracks.

Obvious standouts included Waves, truthfully one of the finest hip-hop tracks of all time (yeah, we said it), and the DJ Premier produced Unorthodox. There was also the obligatory heartfelt tribute to fallen Pro Era member Capital Steez, reminding us all just how tragic it is to lose a talented rapper at only 19 years of age.

With a decent live show, teaser trailers and documentaries, the hype over Joey’s debut album B4.Da.$$ just keeps on getting stronger. It drops January 20, 2015.

Go behind the scenes with Joey Bada$$ on tour

It’s been a good week for Joey Bada$$ fans. First up was a new cryptic teaser trailer that finally gave us a solid release date for B4.DA.$$. The highly anticipated debut album will drop January 20, 2015, and although full details are yet to be released, its expected to include singles Big Dusty and Christ Conscious, and feature production from DJ Premier, J Dilla and Statik Selektah amongst others.

A new video has also now emerged, documenting Joey as he travels around Europe on the latest leg of his tour. He talks about why he loves performing more than being in the studio, how to give the fans what they want, and the inspiration he’s taken from seeing Jay-Z and other major artists on stage.

We’ve been itching to hear B4.DA.$$ for months and months, and its nice to hear the young Mr Badas$$ stay humble and grounded as he prepares for what will surely at last be his breakout year.

Watch the mini documentary below, and the album teaser further down.

Watch DJ Premier and Royce Da 5’9″ documentary Raiders of the Lost Art

Raiders of the Lost Art is a documentary about Royce Da 5’9″ and DJ Premier’s new group PRhyme, and its pretty damn good. Short but sweet, Part 1 gives us an interview with Primo, talking about how he first got noticed in NYC all those years ago with Guru, and about how he’ll never stop making that boom bap sound, no matter what the younger generation is doing.

Hearing that alone is worth it for us Preem fiends. But even more special are the parts with Royce. He opens up about his alcohol abuse and the effects it had on his kids, including a scene where his shows how his car won’t even start until he’s taken a breath test.

Its a rare insight into the real life of a rapper, far from the fake lifestyle we’ve come to know from so many flashy videos. We see Royce spending precious time with his wife and kids, making sure he doesnt pull into his driveway too fast, and telling his young daughter to go back inside to get a jacket. There’s no posturing and no ego, just a man who works hard to give his children a life that he never had.

Of course, the flick is also part of the promotion trail for the upcoming PRhyme album, which hits stores next month. It’s safe to say we are excited as fuck, and you should be too. Watch Part 1 of Raiders of the Lost Art below, and keep them eyes peeled for the next installment coming soon.

We salute Tyler, the Creator for crying like a baby

We’ve all seen that clip of Tyler, The Creator crying at the sight of N.E.R.D. on stage (haven’t seen it? Wake the fuck up), and how star-struck he was in a recent interview with Pharrell.

Funny shit, but at least the guy clearly has some genuine passion for the music and its biggest stars.

In a music fueled by egos and trash talk, its all too rare for a young hip-hop artist to show mutual respect for their peers. Its even common now to hear modern rappers talk about how they don’t even listen to rap at all, not even hiding how they are in the game solely to get money.

Compare this to the veterans and older artists and its a completely different story. They have no trouble shining a light on others, and acknowledging the history of the music. Take Run the Jewels, currently the hottest property in the game. El-P and Mike not only have a detailed knowledge of hip-hop, but also have no issue singing the praises of the legends and other artists. Same goes for Common, Talib Kweli, Pharoahe Monch and others. As for the legends themselves, like DJ Premier, they are forever paying respect to others and the masters of genre.

Its perhaps unfair to say all young artists are ignorant to other rappers (Freddie Gibbs frequently points to Drake as being the best there currently is, as contentious as that may be), but a little acknowledgment that they at least like hip-hop and appreciate others would be nice.

Tyler himself has stated he doesnt intent to make hip-hop for much longer, but this is still a man with a deep-rooted respect for the music. And for that, despite all the other crazy and stupid shit he does, we salute him. It was his party, and he can cry if he wants to.

Listen to a new PRhyme track from Primo and Royce Da 5’9″

Its been a good few weeks for us DJ Premier heads. A crazy interview with Snoop Dogg, where he dropped teasers about that future Nas album, new music from M.O.P. coming soon, and of course, PRhyme, his latest collaboration with Royce Da 5’9″.

We’ve had some clips of the music already, but now we’ve been blessed with the title track too. Primo is assisted on the beat with samples by Adrian Young, who adds some extra little flourishes to the mix.

It’s another impressive sign of the quality that is no doubt set to come when the album is fully released next month. Listen to the new track here, courtesy of our friends at the always-entertaining EgoTripland.

PRhyme is already available for pre-order in some areas. Look out for our review when it drops.

Why we miss the classic hip-hop breakdown

Hip-hop production has changed and evolved many times since the late 80s, swaying back and forth between old styles and futuristic ones.

The basics don’t change much though, with most tracks roughly sticking to the classic structure of the first two golden eras: Short into with ad-libs, or cuts and scratches. Verse 1, hook. Verse 2, hook. Verse 3, hook. More hook, shout outs, extended cuts and scratches. Fade out.

We are know it well, not just from hip-hop but also most other popular music genres. Classic rap tracks sometimes had an extra special treat though, between the second hook and the start of verse 3. It was known as a breakdown, and we miss them like crazy.

A breakdown tended to include extra cutting and scratches, variations on the beat, extended use of the main samples, and various other types of niceness.

They provided a chance for the listener to pause for reflection, to take in the meaning of the first two verses, and get ready for the third, which was often the most powerful. They also gave the producer time to showcase their abilities, and flex their cutting skills if they also happened to be a deejay.

We’re not necessarily saying we need them back, and in fact producers like DJ Premier and Pete Rock still tend to produce beats in this way. Other modern hip-hop tracks still have them too.

Lest we forget how fucking dope they were though, so here’s a few of our personal favorites. The breakdowns all appear after the first couple of verses.

Nas, The World Is Yours. Produced by Pete Rock.

Lords of the Underground, What I’m After. Produced by K-Def.

LL Cool J, Mama Said Knock You Out. Produced by Marley Marl.

Listen to a Time is Illmatic mix from Pete Rock

Time is Illmatic is showing in cinemas around the world right now, and to celebrate, Pete Rock has blessed up with a new Nas mixtape.

As the producer of one of the classic album’s finest tracks (The World is Yours), there’s few people more qualified than Pete, and he does a fine job reminding us of just how groundbreaking Illmatic was. Not that we’d forgotten of course.

Check below for the full stream, and see here for our review of the Time is Illmatic documentary.

Visit the Time is Illmatic website to find out if the film is showing in your town. It is also available from iTunes in some regions.

Watch: Snoop Dogg interviewing DJ Premier

Snoop Dogg’s online TV show is usually too smoked out and crazy for us, but on the latest episode his guest is the one and only DJ Premier. It starts off with Snoop paying homage to the early Gang Starr records, before Primo moves on to talk about PRhyme, his new project with Royce Da 5’9″.

Also up for discussion is the tracks they have collaborated on together. It’s easy to think of Primo as a producer who only works with boom-bap artists from New York, but he’s mixed it up with Snoop, MC Eight and plenty of other West Coast rappers over the years.

Premier also drops in a little teaser about that long-awaited Nas collaboration, which hopefully will see the light of day at some point after Nas finishes his duties with Def Jam. Amazingly, Snoop claims not to have known that Primo has worked with Nas since Illmatic, but that may have just been the weed talking. Watch the full clip below.

The PRhyme album is set to be released in the next few weeks.