Primo and Royce keep on teasing us

PreemDJ Premier and Royce Da 5’9″ have released an extended version of the teaser for their collaboration project PRhyme. This time we get a phoney interview, extended vocals of the track U Looz, and more goofing around in the record store with Adrian Younge.

It follows the release of the certified-Preem-banger Courtesy a few days ago, and the album is slated for release in early December, featuring a line-up of guests that includes Common, Jay Electronica, Killer Mike, Mac Miller and more.

To have Common back on a Primo beat is one of the many reasons why anticipation is so high. It will also be interesting to find out how the legend handles an artist like the young Miller.

Hopefully there will be more teasers to come, but it’s a fairly safe bet the music will live up to the hype.

PRhyme is now available to pre-order from iTunes in some regions.

Legends of the game combine as Indie 500

Screen Shot 2014-10-22 at 22.35.01Heavyweights Talib Kweli, Pharoahe Monch and 9th Wonder today announced a new collaborative venture named Indie 500. It’s not clear yet if it’s set to be a record label, a group or just a movement, but with these three involved, only good things can come from it.

The aim seems to be to uphold the quality and tradition of the Native Tongues and that classic A Tribe Called Quest/De La Soul vibe, and the legacy of it that has lived on through artists associated with the good people at Okayplayer (J Dilla, the Roots, Little Brother, Mos Def, Q-Tip, Common, Slum Village and others).

All three artists have spent their careers in and around this creative circle anyway, so it’s likely just a case of quality business as usual. Which of course is no bad thing. Any project that combines two of the most gifted rappers of all time with one of the best producers will definitely equal incredible music.

Watch the video below from Okayplayer for the full lowdown.

Why life is hard for good female rappers

Rapsody CoverProducer 9th Wonder recently tweeted about how today’s rap fans are uninterested in female rappers with proper skills, and how an artist like his own Rapsody can struggle to break into the mainstream. As one of the most respected voices in hip-hop, pretty much everything that 9th Wonder says is spot on, and, somewhat sadly this time, he’s dead right once again.

When LL Cool J released the video for his 1996 hit Doin’ It, something wasn’t right. The usual over-cooked hallmarks of a Hype Williams visual were all there, but there was something funny about the appearance of LeShaun, who sings the hook. It didn’t look like her at all, and that was because it wasn’t.

It later transpired that she was pregnant when the video was shot, but rumors at the time had it that LeShaun had been replaced by a bunch of models because she wasn’t deemed hot enough to get busy with Uncle L in a Hype Williams joint.

Whether true or not, it’s this type of misogynistic bullshit that keeps truly talented female rappers out of the mainstream, and it always has. It seems as though at some point in the career of all female artists, a cruel decision hast to get made: Let their writing and rhyme skills be what gets them noticed, or use their femininity and sex appeal as the gimmick. Unfortunately there seems little scope to do both, and we all know which artists have chosen which path. Remember those early videos of Nicki Minaj spitting absolute fire in freestyle sessions on the streets of NYC? Didn’t think so. Not many people do.

https://twitter.com/9thWonderMusic/status/524222036429000704

For those that don’t take the route we’ll traveled by Nicki, Lil Kim and the others, there’s little in the way of longevity to be had. And that’s a damn shame. The true hip-hop fan doesn’t care if a good artist is a man, woman, straight, gay or anything else. As KRS-ONE once said, a dope emcee is a dope emcee. If they do happen to be a woman, it also makes no difference what they look like.

Sex sells in the real world though, and that’s why pretty much every skilful female rapper of the past twenty years has all but disappeared. If they are still around, their chances of new success seem to be fading fast. Bahamadia, Jean Grae, Apani B Fly, Lady of Rage. All of them chose to stay true to the art instead of selling their body, but have little to show for it today. For what its worth by the way, if we are going to be forced to judge them on looks too, every one of the women on the list in the sentence above are talented emcees AND beautiful.

It’s a depressing truth to face, but the artistry of women artists will never be judged as important as T&A by millions of teenage fans. It’s a problem not just in hip-hop of course, but it’s probably the one specific form of entertainment where it’s at its worst. In the meantime, quality artists like Rapsody and the next generation will continue to find it hard to breakthrough.

Beauty and the Beast by Rapsody is out now, with beats from the maestro 9th Wonder, and others from his Jamla squad.